客廳的主墻面適合懸掛一幅大尺寸的作品，內(nèi)容應(yīng)豐富耐看，藝術(shù)水準(zhǔn)越高，越能提高主人的身份。因為作品較大，所以不宜掛得過高，底框比沙發(fā)靠背高30cm就可以了。
The main wall of the living room is suitable for hanging a large-scale work. The content should be rich and durable. The higher the artistic level, the more the identity of the owner can be improved. Because the work is large, it should not be hung too high. The bottom frame is 30cm higher than the sofa back.
內(nèi)容很多，如：吉利字畫，對提振家居氣色，營造富貴氣息，有為重要的作用。將吉利字畫作為家里的中堂，懸掛于客廳，以求錦上添花，旺上加旺，是良好家居的布局方法之一。 家居的吉利字畫，是指寓意吉祥與美好祝愿的
There are many contents, such as auspicious calligraphy and painting, which plays an important role in boosting the look of home and creating a rich atmosphere. Taking auspicious calligraphy and painting as the nave of the home and hanging it in the living room in order to add icing on the cake and make it prosperous is one of the layout methods of a good home. The auspicious calligraphy and painting at home refers to the meaning of auspiciousness and good wishes
及象征榮華富的牡丹花畫、象征年年有余的蓮花錦鯉圖、象征健康長壽的松鶴圖、象征福分永存的流云百蝠圖等等。
And peony paintings symbolizing prosperity, lotus and Koi pictures symbolizing surplus every year, pine and crane longevity pictures symbolizing health and longevity, Liuyun hundred bats pictures symbolizing eternal happiness, etc.
人講究意頭，倘若把意境蕭條的圖畫掛在客廳上，觸目所及皆是不良景象，暮氣沉沉，孤高怪僻，以此為客廳，藝術(shù)效果可能不錯，但整屋顯得無精打采，暮氣沉沉，居住其中，心情自然會大受影響，因此客廳還是應(yīng)以懸掛好意頭的圖畫為宜。
Chinese people pay attention to the meaning of the head. If you hang pictures with depressed artistic conception on the living room, you will see bad scenes. They are gloomy and lonely. Taking this as the living room may have a good artistic effect, but the whole house looks listless and gloomy. Living in it, the mood will naturally be greatly affected. Therefore, it is better to hang pictures with good intentions in the living room.
居室里掛書畫，歷史上由來己久，我國古代書畫論有“坐臥高堂、窮盡泉壑”之說。在過去的舊式客廳里掛書畫講究工整對稱。目前，隨著建筑格局的改變，掛書畫的裝飾也不適應(yīng)那種工整對稱形式了，人們開始根據(jù)自己的房間自由掛飾、不受限制，反而顯得自然活潑。
Hanging calligraphy and painting in the bedroom has a long history. The theory of calligraphy and painting in ancient China has the theory of "sitting in the high hall and exhausting springs and gullies". In the old-fashioned living room, calligraphy and painting were neat and symmetrical. At present, with the change of architectural pattern, the decoration of calligraphy and painting can not adapt to the neat and symmetrical form. People begin to hang decorations freely according to their own rooms without restrictions, but appear natural and lively.
掛書畫形式不一樣，有國畫、版畫、裝飾畫、字畫、水彩畫和水粉畫等等，根據(jù)自己的愛好和室內(nèi)環(huán)境確定。要求與室內(nèi)氣氛和諧，與環(huán)境的情調(diào)統(tǒng)一。
The forms of hanging calligraphy and painting are different, including traditional Chinese painting, printmaking, decorative painting, calligraphy and painting, watercolor painting and gouache painting, which are determined according to their hobbies and indoor environment. It is required to be harmonious with the indoor atmosphere and unified with the mood of the environment.
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